Do Not Stand At My Grave And Weep

Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.

-Mary E. Frye

Meditation 1

I am writing a literary analysis paper on the poems of Edward Taylor. Because I have been inundating myself with his poems, it is natural that one of his should make its way onto this blog. Enjoy. 

What Love is this of thine, that Cannot bee
In thine Infinity, O Lord, Confinde,
Unless it in thy very Person see,
Infinity, and Finity Conjoyn’d?
What hath thy Godhead, as not satisfide
Marri’de our Manhood, making it its Bride?

Oh, Matchless Love! filling Heaven to the brim!
O’re running it: all running o’re beside
This World! Nay Overflowing Hell; wherein
For thine Elect, there rose a mighty Tide!
That there our Veans might through thy Person bleed,
To quench those flames, that else would on us feed.

Oh! that thy Love might overflow my Heart!
To fire the same with Love: for Love I would.
But oh! my streight’ned Breast! my Lifeless Sparke!
My Fireless Flame! What Chilly Love, and Cold?
In measure small! In Manner Chilly! See.
Lord blow the Coal: Thy Love Enflame in mee.

Ah! Sunflower

Ah Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime
Where the traveller’s journey is done;

Where the Youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!

-William Blake

Sonnet 27

Weary with toil, I haste me to my bed,
The dear respose for limbs with travel tirèd;
But then begins a journey in my head
To work my mind, when body’s work’s expirèd.
For then my thoughts, from far where I abide,
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see;
Save that my soul’s imaginary sight
Presents thy shadow to my sightless view,
Which like a jewel, hung in ghastly night,
Makes black night beauteous, and her old face new.
Lo thus by day my limbs, by night my mind,
For thee and for myself no quiet find.

-William Shakespeare

Tell All The Truth But Tell It Slant

For one of my college classes, we are studying Emily Dickinson (all too briefly). I have always enjoyed her poems, and they have had no small influence on my own writing. While I have read many of her poems, there are always more to discover. In the assigned reading, I stumbled across the following excellent poem. The truth is a powerful thing: it can devastate, elevate, or infuriate; it is generally unpopular. This poem explores the nature of truth, its power, and our relation to it. This poem also addresses what I believe was part of Christ’s motivation for using parables. However, I do not mean lying, but veiling the truth to make it understandable.

Tell all the truth but tell it slant-
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind-

-Emily Dickinson

If

No one has to grow up any more: adolescence can stretch on indefinitely. The modern man, sadly, is many times no more than an over-grown boy. But what is maturity? This poem shows that maturity, as well as true manhood, is marked by self-control, wisdom, and proper responses to life’s circumstances. It is sad that this poem would often be written off as old-fashioned or idealistic, for its truth is timeless.

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or being hated don’t give way to hating,
And yet don’t look too good, nor talk too wise;

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build’em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

-Rudyard Kipling

All Day I Hear the Noise of Waters

I love the sea; it’s power and mystery. This poem depicts the sea, but I believe it is a symbol for something more. What could it be?

All day I hear the noise of waters
Making moan,
Sad as the sea-bird is when, going
Forth alone,
He hears the winds cry to the water’s
Monotone.

The grey winds, the cold winds are blowing
Where I go.
I hear the noise of many waters
Far below.
All day, all night, I hear them flowing
To and fro.

-James Joyce

Song

Sweetest love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me ;
But since that I
At the last must part, ’tis best,
Thus to use myself in jest
By feigned deaths to die.

Yesternight the sun went hence,
And yet is here to-day ;
He hath no desire nor sense,
Nor half so short a way ;
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.

O how feeble is man’s power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall ;
But come bad chance,
And we join to it our strength,
And we teach it art and length,
Itself o’er us to advance.

When thou sigh’st, thou sigh’st not wind,
But sigh’st my soul away ;
When thou weep’st, unkindly kind,
My life’s blood doth decay.
It cannot be
That thou lovest me as thou say’st,
If in thine my life thou waste,
That art the best of me.

Let not thy divining heart
Forethink me any ill ;
Destiny may take thy part,
And may thy fears fulfil.
But think that we
Are but turn’d aside to sleep.
They who one another keep
Alive, ne’er parted be.

-John Donne

Between Two Hills

While he is not my favorite modern poet, Carl Sandburg has certainly left his mark on modern poetry. I do enjoy some of his work, including this impressionistic poem.

Between two hills
The old town stands.
The houses loom
And the roofs and trees
And the dusk and the dark,
The damp and the dew
Are there.

The prayers are said
And the people rest
For sleep is there
And the touch of dreams
Is over all.

-Carl Sandburg

After Prayers, Lie Cold

C.S. Lewis is known for many things, but one of them is not his poetry. However, he has some excellent poems, of which this is one. 

Arise my body, my small body, we have striven
Enough, and He is merciful; we are forgiven.
Arise small body, puppet-like and pale, and go,
White as the bed-clothes into bed, and cold as snow,
Undress with small, cold fingers and put out the light,
And be alone, hush’d mortal, in the sacred night,
-A meadow whipt flat with the rain, a cup
Emptied and clean, a garment washed and folded up,
Faded in colour, thinned almost to raggedness
By dirt and by the washing of that dirtiness.
Be not too quickly warm again. Lie cold; consent
To weariness’ and pardon’s watery element.
Drink up the bitter water, breathe the chilly death;
Soon enough comes the riot of our blood and breath.

-C.S. Lewis